Color Reduction Relief Printmaking
August 6, 7, 13, and 14
Like a glazed painting, a reduction relief print layers colors over each other to create beautiful, glowing prints. I will teach a two-weekend class in Color Reduction Printmaking at the Coconino Center for the Arts this August, and there are still openings available.
I would love to keep you up to date on new works, shows, and news!
Dale's Tree 2_8
Etching with chine colle
36in x 30in
The prints in this gallery were made through the process of copperplate etching or zinc plate etching. To etch, I coat a metal plate in an acid-resistant coating, draw through that with a needle to expose metal in places, then immerse the plate in an acid bath. Where the acid touches the metal it etches lines, and those lines will hold ink when I print. I often make an image by printing several plates over each other, using different colors of ink.
Sunrise on Mount Elden with Supermoon
Linoleum block and woodcut
12in x 37in
Woodcut, or relief printmaking, is a medium that allows me great freedom to use layers of color in very expressive ways. I sometimes also use linoleum blocks to add shapes to my relief prints.
Sunflowers for Helen
Acrylic on Canvas
48in x 48in
My paintings vary in size and medium. In this gallery you will see some small, spontaneous plein air paintings that I make on location when I visit inspiring places. You will also see some acrylic paintings and some oil paintings created in studio. In my studio I have more flexibility in size and time, and the result is often larger paintings built up in layers and glazes.
Bluemont No. 1
Woodcut, collograph, oil and encaustic
48in x 24in
Often just one medium is not enough for me to express what I have to say. Here you will see prints combining etching, woodcut, painting and encaustic. Each medium brings a different kind of mark to the print, and I love mixing them up!